The mirror is not you. The mirror is you looking at yourself.
George BalanchineRead
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
Interpretation
Natural talent is essential in the pursuit of excellence in dance, beyond mere training.
George Balanchine emphasizes the importance of innate talent in the art of dancing. While technical training can enhance skills, it cannot create true artistry or exceptional talent that is believed to be a divine gift. Balanchine reflects on his experiences as a teacher, acknowledging that the most exceptional dancers possess a unique quality that goes beyond what can be taught, highlighting the complex interplay of nature and nurture in artistic achievement.
In practice
This quote could be used in a speech at a dance academy graduation.
The mirror is not you. The mirror is you looking at yourself.
First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers.
I don't want people who want to dance; I want people who have to dance.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.
The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.
January 8 has been a lucky day for me. I have started all my books on that day, and all of them have been well received by the readers. I write eight to ten hours a day until I have a first draft, then I can relax a little. I am very disciplined. I write in silence and solitude. I light a candle to call inspiration and the muses, and I surround myself with pictures of the people I love, dead and alive.
The calling of art is to extract us from our daily reality, to bring us to a hidden truth that's difficult to access - to a level that's not material but spiritual.
I find campfire stories and urban legends are kind of the bread and butter that inspires a lot of people who are making horror and thriller. There is a nugget of truth behind these sort of cautionary tales.
I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it's like, 'OK, now let me make another one now that I know what I'm doing.'
To the man with an ear for verbal delicacies- the man who searches painfully for the perfect word, and puts the way of saying a thing above the thing said - there is in writing the constant joy of sudden discovery, of happy accident.
An actor is supposed to be a sensitive instrument.
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