"God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.
Julia CameronRead
I think of making love and making art as being very parallel. Even the most amateur attempt can be thrilling.
Interpretation
Making love and making art can elicit similar feelings of excitement and fulfillment.
In this quote, Julia Cameron draws a parallel between the intimate act of making love and the creative process of making art. She suggests that both activities can be exhilarating and rewarding, regardless of skill level, highlighting that the joy and thrill of creation come from the heart rather than technical proficiency.
In practice
In a speech about the importance of creativity in everyday life.
"God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.
When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.
... success or failure, the truth of a life really has little to do with its quality. The quality of life is in proportion, always, to the capacity for delight. The capacity for delight is the gift of paying attention.
While there is no quick fix for instant, pain-free creativity, creative recovery (or discovery) is a teachable, trackable spiritual process. Each of us is complex and highly individual, yet there are common recognizable denominators to the creative recovery process.
In limits, there is freedom. Creativity thrives within structure. Creating safe havens where our children are allowed to dream, play, make a mess and, yes, clean it up, we teach them respect for themselves and others.
In order to have a real relationship with our creativity, we must take the time and care to cultivate it.
Egos are an occupational hazard in acting, but I don't have much of one, and my husband doesn't have much of one, so it's good.
I wish I had more confidence. I think that's probably my Achilles' heel. If I had more, I probably would have felt emboldened to make more interesting music earlier on, or really go for it in an artistic or songwriting sense.
I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive.
People always say when they meet me that I'm not what they expect. I assume they think I'm this super dark and depressing guy, but I like to channel all of those emotions into my work.
Write a novel if you must, but think of money as an unlikely accident. Get your reward out of writing it, and try to be content with that.
I can work on a verse for a very long time before realising it's not any good and then, and only then, can I discard it.
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