"God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.
Julia CameronRead
I think of making love and making art as being very parallel. Even the most amateur attempt can be thrilling.
Interpretation
Making love and making art can elicit similar feelings of excitement and fulfillment.
In this quote, Julia Cameron draws a parallel between the intimate act of making love and the creative process of making art. She suggests that both activities can be exhilarating and rewarding, regardless of skill level, highlighting that the joy and thrill of creation come from the heart rather than technical proficiency.
In practice
In a speech about the importance of creativity in everyday life.
"God does not give us more than we can handle," I am told but I wonder if God doesn't overestimate me just a little. Or perhaps, and this is likely, I underestimate God.
When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.
... success or failure, the truth of a life really has little to do with its quality. The quality of life is in proportion, always, to the capacity for delight. The capacity for delight is the gift of paying attention.
While there is no quick fix for instant, pain-free creativity, creative recovery (or discovery) is a teachable, trackable spiritual process. Each of us is complex and highly individual, yet there are common recognizable denominators to the creative recovery process.
In limits, there is freedom. Creativity thrives within structure. Creating safe havens where our children are allowed to dream, play, make a mess and, yes, clean it up, we teach them respect for themselves and others.
In order to have a real relationship with our creativity, we must take the time and care to cultivate it.
There is only one valuable thing in art: the thing you cannot explain.
I thought, 'There are a lot of poets who have the courage to look into the abyss, but there are very few who have the courage to look happiness in the face and write about it,' which is what I wanted to be able to do.
Writing is just work-there's no secret. If you dictate or use a pen or type or write with your toes-it's still just work.
A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.
I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.
As an actor, you are always looking for roles that will challenge you, and when I came upon Aung San Suu Kyi, it wasn't just about that but also about stepping into the shoes of someone who means so much to millions of people.
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