The poet is one who is able to keep the fresh vision of the child alive.
Anais NinRead
Luxury is not a necessity to me, but beautiful and good things are.
Interpretation
Luxury isn't essential, but appreciating beauty and quality is important.
In this quote, Anais Nin expresses the idea that while luxury items are not essential for her happiness or fulfillment, she deeply values beauty and quality in her surroundings. This reflects a deeper understanding that true appreciation comes from the intrinsic value of things rather than their superficial status.
In practice
In a speech about minimalism, one might use this quote to highlight the importance of valuing experiences over possessions.
The poet is one who is able to keep the fresh vision of the child alive.
Anxiety is love's greatest killer, because it is like the stranglehold of the drowning.
We celebrate peace. Yet we pay no attention to the ways of curing aggression in human beings. And when one sees in psychoanalysis hostility disappearing as people conquer their fears, one wonders if the cure is not there.
The impetus to grow and live intensely is so powerful in me I cannot resist it. I will work, I will love my husband, but I will fulfill myself.
We have been poisoned by fairy tales.
But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
Nothing is lost and nothing is created in the operations of art as those of nature.
I think what's really the most ideal thing is for the player themselves, within their own imagination, to carve out what they view as being the essence of the character.
Thus the man who is responsive to artistic stimuli reacts to the reality of dreams as does the philosopher to the reality of existence; he observes closely, and he enjoys his observation: for it is out of these images that he interprets life, out of these processes that he trains himself for life.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.
I miss horribly those couple of hours before the performance when you get into the theater and you see people.
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