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If the main character's not in jeopardy - physical, psychological, emotional, whatever - then you don't have any tension, and you don't have a story.
Stephen Graham Jones
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More from Stephen Graham Jones

Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
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We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
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I figure anytime you put an adjective before 'writer,' it's a way of dismissing the writer.
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The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.
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Most zombie stories, the problems they solve are not the actual zombies. The problems they solve are the human interactions.
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Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
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