One of the great things about books is you can afford to do anything.
George R. R. MartinRead
When you tear out a man's tongue, you are not proving him a liar, you're only telling the world that you fear what he might say.
Interpretation
Suppressing someone's voice does not negate their truth; it reveals fear of their potential influence.
This quote reflects on the power of speech and the implications of silencing others. It suggests that attempts to suppress someone not only fail to disprove their honesty or insights but are, in fact, admissions of fear by those who would silence them. The act of silencing indicates a recognition of the threat posed by the ideas or truths that the suppressed individual may articulate, highlighting the importance of free expression in society.
In practice
In a discussion about censorship and freedom of speech.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: βNot today.
I did not do it. Yet now I wish I had.β He turned to face the hall, that sea of pale faces. βI wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I hold that there is a mysterious connection between the fate of this country and that of Mexico; so much so that her independence and capability of sustaining herself are almost as essential to our prosperity and the maintenance of our institutions as they are to hers.
More-radical scholars insist that an inherent clash exists between science and our long-held conceptions about consciousness and moral agency: if you accept that our brains are a myriad of smaller components, you must reject such notions as character, praise, blame, and free will.
Creating without claiming, Doing without taking credit, Guiding without interfering, This is Primal Virtue.
Alas, everything that men say to one another is alike; the ideas they exchange are almost always the same, in their conversation. But inside all those isolated machines, what hidden recesses, what secret compartments! It is an entire world that each one carries within him, an unknown world that is born and dies in silence! What solitudes all these human bodies are!
One of the most important misunderstandings for white people to get over to move forward is this idea that racism is a good-bad proposition - that if we're good we can't be part of it, that being uncomfortable means you're a terrible person. We have to let go of that and understand it as a system we all live in.
How can I lose faith in the justice of life, when the dreams of those who sleep upon feathers are not more beautiful than the dreams of those who sleep upon the earth?
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