We have before us the fiendishness of business competition and the world war, passion and wrongdoing, antagonism between classes and moral depravity within them, economic tyranny above and the slave spirit below.
Karl BarthRead
It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
Interpretation
What this quote means
The quote suggests that while Bach represents the formal praise of God, Mozart embodies the joy of familial connection.
In this quote, Karl Barth reflects on the differences in musical expression, positing that the structured and devotional works of Bach align with the divine praise of angels. Conversely, he implies that the lighter, more playful compositions of Mozart resonate with a sense of familial joy and intimacy, suggesting a duality in the experience of music—one that is both sacred and personal.
Themes
MusicPraiseAngelFamilyJoyBachMozart
In practice
Example use cases
In a discussion about the role of music in spirituality, this quote can illustrate varying perspectives on sacred and secular music.
More from Karl Barth
All quotes →When we speak of our virtues we are competitors, when we confess our sins we become brothers.
Karl BarthRead
Conscience is the perfect interpreter of life.
Karl BarthRead
That the zeal for God's honor is also a dangerous passion, that the Christian must bring with him the courage to swim against the tide instead of with it... accept a good deal of loneliness, will perhaps be nowhere so clear and palpable as in the church, where he would so much like things to be different. Yet he cannot and he will not refuse to take this risk and pay this price... he belongs where the reformation of the church is underway or will again be underway.
Karl BarthRead
In the Church of Jesus Christ there can and should be no non-theologians.
Karl BarthRead
Christian worship is the most momentous, most urgent, most glorious action that can take place in human life.
Karl BarthRead
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So I asked him to play "Trav'lin' All Alone." That came closer than anything to the way I felt. And some part of it must have come across. The whole joint quieted down. If someone had dropped a pin, it would have sounded like a bomb. When I finished, everybody in the joint was crying in their beer, and I picked thirty-eight bucks up off the floor. . . . When I showed Mom the money for the rent and told her I had a regular job singing for eighteen dollars a week, she could hardly believe it.
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I think the most important thing for a listener is to realize that he, too, should not listen to music in a passive way; that if you sit in a concert hall and expect to be moved or taken off your seat by the music, it will not happen.
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I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
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