We have before us the fiendishness of business competition and the world war, passion and wrongdoing, antagonism between classes and moral depravity within them, economic tyranny above and the slave spirit below.
Karl BarthRead
It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.
Interpretation
The quote suggests that while Bach represents the formal praise of God, Mozart embodies the joy of familial connection.
In this quote, Karl Barth reflects on the differences in musical expression, positing that the structured and devotional works of Bach align with the divine praise of angels. Conversely, he implies that the lighter, more playful compositions of Mozart resonate with a sense of familial joy and intimacy, suggesting a duality in the experience of music—one that is both sacred and personal.
In practice
In a discussion about the role of music in spirituality, this quote can illustrate varying perspectives on sacred and secular music.
We have before us the fiendishness of business competition and the world war, passion and wrongdoing, antagonism between classes and moral depravity within them, economic tyranny above and the slave spirit below.
When we speak of our virtues we are competitors, when we confess our sins we become brothers.
Conscience is the perfect interpreter of life.
That the zeal for God's honor is also a dangerous passion, that the Christian must bring with him the courage to swim against the tide instead of with it... accept a good deal of loneliness, will perhaps be nowhere so clear and palpable as in the church, where he would so much like things to be different. Yet he cannot and he will not refuse to take this risk and pay this price... he belongs where the reformation of the church is underway or will again be underway.
In the Church of Jesus Christ there can and should be no non-theologians.
Christian worship is the most momentous, most urgent, most glorious action that can take place in human life.
I used to think that, given enough goodwill, anybody would be able to 'get' any music, no matter how distant the culture from which it came. And then I heard Chinese opera.
If it's illegal to rock and roll, throw my ass in jail!
I'm trying everything I can not to be jaded 'cause I don't like jaded musicians.
Things like guitars and ukuleles, you should never part with it, because there will probably be good, healthy times spent, just playing and writing.
If it screams truth rather than help, if it commits itself with a courage that it can't be sure it really has, if it stands up and admits that something is wrong, but doesn't insist on blood, then it's rock n' roll.
Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?
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