The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
Interpretation
The quote emphasizes the importance of simplifying and refining writing by removing unnecessary elements.
In this quote, Italo Calvino reflects on his creative process, where he focuses on eliminating excess 'weight' from his work. This weight can refer to unnecessary words, complex ideas, or even the tediousness in storytelling and language. He suggests that the essence of writing is often obscured by such weight, and true clarity can only be achieved by shedding it, akin to easing the burden of understanding for both the writer and the reader.
In practice
During a writing workshop, I shared Calvino's philosophy to inspire participants to focus on clarity in their prose.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you can’t make anything.
If you're going to perform inception, you need imagination. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
I'm surprised by the talent I find all over. There are always new chefs who propose many interesting new ideas, new ways of looking at ingredients.
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact.
People say my films are dark. But like lightness, darkness stems from a reflection of the world. The thing is, I get these ideas that I truly fall in love with. And a good movie idea is often like a girl you're in love with, but you know she's not the kind of girl you bring home to your parents, because they sometimes hold some dark and troubling things.
Saving Italy is an astonishing account of a little known American effort to save Italy’s vast store of priceless monuments and art during World War II. While American warriors were fighting the length of the country, other Americans were courageously working alongside to preserve the irreplaceable best of Italy’s culture. Read it and be proud of those who were on their own front lines of a cruel war.
But what is art other than revealing human nature?
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