The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
Interpretation
The quote emphasizes the importance of simplifying and refining writing by removing unnecessary elements.
In this quote, Italo Calvino reflects on his creative process, where he focuses on eliminating excess 'weight' from his work. This weight can refer to unnecessary words, complex ideas, or even the tediousness in storytelling and language. He suggests that the essence of writing is often obscured by such weight, and true clarity can only be achieved by shedding it, akin to easing the burden of understanding for both the writer and the reader.
In practice
During a writing workshop, I shared Calvino's philosophy to inspire participants to focus on clarity in their prose.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you can’t make anything.
I think it's important to leave spaces in a story for readers to fill in from their own experience.
The only time I have a good hunch the audience is going to be there is when I make the sequel to 'Jurassic Park' or I make another Indiana Jones movie. I know I've got a good shot at getting an audience on opening night. Everything else that is striking out into new territory is a crap shoot.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
I realize that some of you may have come in hopes of hearing tips on how to become a professional writer. I say to you, "If you really want to hurt your parents, and you don't have the nerve to be a homosexual, the least you can do is go into the arts. But do not use semicolons. They are transvestite hermaphrodites, standing for absolutely nothing. All they do is show you've been to college.
I do fashion to tell a narrative.
The war is dreadful. It is the business of the artist to follow it home to the heart of the individual fighters - not to talk in armies and nations and numbers - but to track it home.
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