My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
Some might think that the creativity, imagination, and flights of fancy that give my life meaning are insanity.
Interpretation
Creativity and imagination can be misunderstood as madness, but they are essential for a meaningful life.
In this quote, Vladimir Nabokov reflects on the notion that the elements that bring richness and significance to his existence, such as creativity and imagination, may be perceived by others as insanity. He emphasizes that the ability to dream and envision beyond the ordinary is what truly defines the essence of life; thus, he challenges the traditional boundaries of sanity and creativity, suggesting that what is often labeled as 'insanity' is, in fact, a vital part of a fulfilling human experience.
In practice
In a creative writing workshop to inspire participants.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
By the time I am nearing the end of a story, the first part will have been reread and altered and corrected at least one hundred and fifty times. I am suspicious of both facility and speed. Good writing is essentially rewriting. I am positive of this.
Imagine writing a poem with a sweating, worried-looking boy handing you a different pencil at the end of every word. My golf, you may say, is no poem; nevertheless, I keep wanting it to be one.
What I wanted to do in rock 'n roll was merge poetry with sonic scapes, and the two people who had contributed so much to that were Jimi Hendrix and Jim Morrison.
An artist's initial broad stroke is always most impactful, and obsessively adding layer upon layer of paint to fill in details often diminishes the painting's aura. When an aura is lost, it is impossible to get back.
When I'm making stuff, the thing that excites me most is not the result, but the process and trying to do something I've never done before.
A photographer is part pick-pocket and part tightrope dancer.
Subscribe for the occasional hand-picked quote. No noise.