I just look at Miley Cyrus, and I'm like, 'Great, you've doubled your audience. But you've also doubled the number of people that hate you, and doesn't that hurt?' It takes a crazy person not to be affected by that.
Interpretation
This quote highlights the challenges of public perception and the emotional toll of fame.
Bo Burnham reflects on the duality of fame, using Miley Cyrus as an example to illustrate how increased popularity also brings amplified scrutiny and criticism. He suggests that it is natural for anyone, regardless of their mental state, to be affected by hate from others, emphasizing the emotional strain that comes with being in the public eye.
In practice
In a discussions about the impacts of social media on celebrities, this quote can illustrate the emotional consequences they face.
I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?
I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
There's only one rule in stand-up, which is that you have to be funny. Yet 99 per cent of comics look and talk exactly the same.
My career was exploding at the same time that social media itself was expanding. But when my online videos were taking off, I didn't think, 'Oh, great! I'm going to be able to parlay this into a career!' I just wanted to be a comedian. I just wanted to perform live.
I was definitely not the kid that just wanted to be famous for no reason whatsoever and then happened to find comedy. Fame and all that stuff have always been slightly terrifying to me, and it makes me very anxious.
I'd much rather wait till my material is up to par, in my opinion, than rush it just so I can stay in the limelight a little longer.
I am interested in people who swim in the deep end. I want to have conversations about real things with people who have experienced real things. I'm tired of talking about movies and gossiping about friends. Life is crunchy and complicated and all the more delicious.
Later, going home, I realized they didn't look alike at all; what made them seem to was the aftermath of stress and the lingering of sorrow. It's strange how pain marks our faces, and makes us look like family.
S and M is only the expression in the bedroom of an oppressive-submissive relation which can happen also in the kitchen or at the factory, can happen between people of any gender. There is obviously something titillating about these relationships, but it isn't the sexual components that makes them ugly, they're uglier elsewhere. Nothing sexual is depraved. Only cruelty is depraved, and that's another matter.
In America there is institutional racism that we all inherit and participate in, like breathing the air in this room - and we have to become sensitive to it.
Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. 'S-so sweet, Dudders...' she sobbed into his massive chest. 'S-such a lovely b-boy...s-saying thank you...' 'But he hadn't said thank you at all!' said Hestia indignantly. 'He only said he didn't think Harry was a waste of space!' 'Yeah, but coming from Dudley that's like "I love you.
There are only four kinds of people in the world - those who have been caregivers, those who are caregivers, those who will be caregivers and those who will need caregivers.
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