It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
Steven SpielbergRead
Once a month the sky falls on my head, I come to and I see another movie I want to make.
Interpretation
The quote expresses the idea of sudden inspiration that comes infrequently but leads to creative endeavors.
In this quote, Steven Spielberg illustrates the sporadic nature of creativity and inspiration, suggesting that once a month he experiences a moment of clarity or enthusiasm that motivates him to pursue new film projects. The imagery of the sky falling on his head serves to emphasize the overwhelming and transformative power of these moments of artistic revelation.
In practice
This quote could be shared at a film festival to encourage aspiring filmmakers.
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me.
From a very young age, my parents taught me the most important lesson of my whole life: They taught me how to listen. They taught me how to listen to everybody before I made up my own mind. When you listen, you learn. You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.
There are so many rumours about so many of us in the public eye. Sometimes it's too hard to deny what is not true.
My personal aesthetic is to be affected directly by everything about what you're seeing... I don't mind being dashed on the rocks... My most base act of defiance is to live a long time and still rock.
I'm glad about what's happening to the music business. This last crop of people we had in the 90s, who are going away now, they didn't like music. They didn't trust musicians. They wanted something else from it.
People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.
You can't have it all one way - be on the telly and the radio and make lots of money - and not offer anything to your followers when they need you.
A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you... where and when and how you are living and might live, it is a wick of desire.
You know, Hitler wanted to be an artist. At eighteen he took his inheritance, seven hundred kronen, and moved to Vienna to live and study... Ever see one of his paintings? Neither have I. Resistance beat him. Call it overstatement but I'll say it anyway: it was easier for Hitler to start World War II than it was for him to face a blank square of canvas.
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