A revolutionary poem will not tell you who or when to kill, what and when to burn, or even how to theorize. It reminds you... where and when and how you are living and might live, it is a wick of desire.
Interpretation
The quote emphasizes that poetry serves as a catalyst for self-awareness and understanding of one's circumstances rather than a guide for violent action.
Adrienne Rich suggests that a truly revolutionary poem does not instruct the reader on physical violence or theoretical frameworks; rather, it serves to illuminate the conditions of one's existence, fostering a sense of desire for change. This perspective highlights the power of poetry to inspire individual reflection and personal growth, prompting readers to consider their own lives and the broader societal landscape.
In practice
During a poetry reading focused on social justice, you could use this quote to emphasize the transformative power of art.
My children cause me the most exquisite suffering of which I have any experience. It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness. Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics: the revolution of a wheel which returns in the end to the same place; the revolving door of a politics which has liberated women only to use them, and only within the limits of male tolerance.
A president cannot meaningfully honor certain token artists while the people at large are so dishonored.'”
There is no 'the truth','a truth' - truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface. When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
It's as if, in the mother's eyes, her smile, her stroking touch, the child first reads the message:'You are there!'
Against Him those women sin who torment their skin with potions, stain their cheeks with rouge and extend the line of their eyes with black coloring. Doubtless they are dissatisfied with God's plastic skill. In their own persons they convict and censure the Artificer of all things.
I'm very aware of the presence of a reader, and that probably is a reaction against a lot of poems that I do read which seem oblivious to my presence as a reader.
It is the writer’s job to make the play interesting. It is the actor’s job to make the performance truthful.
Writing a new play shouldn't be seen as a mystery belonging to a priesthood, but as a challenge, a technical challenge, just to get into it.
The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
I believe more in the scissors than I do in the pencil.
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