Performance has to be mainstream art. This is what I'm fighting for.
Interpretation
Marina Abramovic advocates for performance art to be recognized and valued as a significant form of mainstream art.
In this quote, Marina Abramovic expresses her passionate belief that performance art should not be relegated to the margins of the art world but should instead be embraced and celebrated as a legitimate and essential art form. Her fight for this recognition reflects her commitment to challenging traditional notions of art and advocating for the transformative potential of performance in contemporary culture.
In practice
During an art exhibition, I could quote Abramovic to emphasize the significance of performance art.
All the aggressive actions I do to myself I would never dream of doing in my own life - I am not this kind of person. I cry if I cut myself peeling potatoes. I am taking the plane, there is turbulence, I am shaking. In performance, I become, somehow, like not a mortal.
I hate studio. For me, studio is a trap to overproduce and repeat yourself. It is a habit that leads to art pollution.
The function of the artist in a disturbed society is to give awareness of the universe, to ask the right questions, and to elevate the mind.
First of all, to do performance art, you really have to give 100 percent. I only know that I have to give 100 percent and then what happens, happens.
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
I want people to come to me open and vulnerable. When they come to the gallery, they have to leave their watches, their computers, their Blackberrys, iPads, iPhones, because we are so incredibly used to technology, and I wanted to remove that.
I hadn't performed by myself in a while. It feels very natural to me, and I assume people come for the very same reasons as they do when I'm with the band: to be moved, for something to happen to them.
I never was very capable of expressing my feelings or emotions in words. I don't know whether this is the cause why I did it in music and also why I did it in painting. Or vice versa: That I had this way as an outlet. I could renounce expressing something in words.
I photographed the entire thing in color because to photograph it in black and white would be to keep it as a tragedy. Because there is a tragic element to photographing, in this case not war, but the collapse. It was just destruction.
A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.
That's the thing about fiction writers: what seems alarming or particular or perverse about them is simply the shape of their brain - they cannot be otherwise.
To destroy is always the first step in any creation.
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