As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Quentin TarantinoRead
A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.
Interpretation
A good movie doesn't need to accomplish everything; it just needs to evoke emotions effectively.
Quentin Tarantino suggests that the essence of a good movie lies not in its attempt to cover complex narratives or multiple themes, but in its ability to deliver compelling emotions and provide an enjoyable experience for the audience. If a film can do a few things exceptionally well, that alone can define its success.
In practice
In a film studies class when discussing what defines a successful movie.
As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
Something stopped me in school a little bit. Anything that I'm not interested in, I can't even feign interest.
To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.
A writer should have this little voice inside of you saying, Tell the truth. Reveal a few secrets here.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
I never promised the universe that I would write brilliantly; I only promised the universe that I would write.
How do poems grow? They grow out of your life.
When I was a child, I used to paint intently. The older I become, and the closer death approaches, the brighter my life gets day by day.
Art is uncompromising, and life is full of compromises.
That young man with the long, auburn hair and the impudent face - that young man was not really a poet; but surely he was a poem.
When you write, it’s like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.
Subscribe for the occasional hand-picked quote. No noise.