Movies are dreams! And they work on you subliminally.
Interpretation
Movies evoke emotions and thoughts subconsciously, much like dreams do.
In this quote, Carrie Fisher emphasizes the profound impact movies have on our psyche, paralleling them to dreams which shape our subconscious mind. She suggests that films can influence us in ways we may not consciously realize, affecting our feelings and thoughts through powerful storytelling and imagery.
In practice
In a discussion about the impact of film on culture, you might say, 'As Carrie Fisher said, movies are dreams that influence us subliminally.'
I trust myself. I trust my instincts. I know what I'm gonna do, what I can do, what I can't do. I've been through a lot, and I could go through more, but I hope I don't have to. But if I did, I'd be able to do it. I'm not going to enjoy dying, but there's not much prep for that.
Over time, I've paid attention, taken notes and forgotten easily half of everything I've gone through.
I went to a doctor and told him I felt normal on acid, that I was a light bulb in a world of moths. That is what the manic state is like.
There's a line I have that our family was designed more for public than for private. But there are definitely some things that are only mine. I am someone who dreams at night, and you don't know what I'm dreaming.
You know how most illnesses have symptoms you can recognize? Like fever, upset stomach, chills, whatever. Well, with manic depression, it's sexual promiscuity, excessive spending, and substance abuse - and that just sounds like a fantastic weekend in Vegas to me!
I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.
That's another pompous expression that is out of fashion, to say that poetry is a gift. It sounds pompous because you say, 'Who gave you the gift, and what is this gift?' And the gift is where I am; the gift is what I have come out of, the people around me who, I think, are beautiful people.
The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
I think all songs should have weather in them. Names of towns and streets, and they should have a couple of sailors. I think those are just song prerequisites.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
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