Killing a man in defense of an idea is not defending an idea; it is killing a man.
Jean-Luc GodardRead
Movies in Hollywood now, for the past 20 or 30 years, are made mainly by lawyers or agents.
Interpretation
The quote critiques the influence of legal and commercial interests on filmmaking in Hollywood.
Jean-Luc Godard highlights a significant shift in Hollywood filmmaking, suggesting that legal and agency professionals have gained more control over the artistic process in cinema. This statement reflects his concern that the essence of filmmaking, which is rooted in creativity and artistic expression, is being overshadowed by commercial considerations and legal intricacies, resulting in a product that may prioritize profit over genuine storytelling.
In practice
Use this quote in a discussion about the evolution of the film industry during a film studies class.
Killing a man in defense of an idea is not defending an idea; it is killing a man.
I don't think you should feel about a film. You should feel about a woman, not a movie. You can't kiss a movie.
Sometime reality is too complex. Stories give it form.
More or less, I am always saying, 'Give me more. Let's do what has not been done.'
Objects exist and if one pays more attention to them than to people, it is precisely because they exist more than the people. Dead objects are still alive. Living people are often already dead.
Cinema is not a series of abstract ideas, but rather the phrasing of moments.
Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising.
It is comforting that travel should have an architecture, and that it is possible to contribute a few stones to it, although the traveller is less like one who constructs landscapes -- for that is a sedentary task -- than like one who destroys them. . . . But even destruction is a form of architecture, a deconstruction that follows certain rules and calculations, an art of disassembling and reassembling, or of creating another and different order.
It is only when I am doing my work that I feel truly alive.
After the last line of a poem, nothing follows except literary criticism.
When you write, you want to get rid of the world, don’t you? Of course you do. When you’re writing, you’re creating your own worlds.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
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