Insecurity twists meanings and poisons trust. In a closely beleaguered city every sentry is a potential traitor.
Graham GreeneRead
So much in writing depends on the superficiality of one's days.
Interpretation
Writing is influenced by the daily experiences and trivialities of life.
Graham Greene suggests that the quality and depth of writing are greatly affected by the seemingly mundane and superficial aspects of daily life. The experiences and observations we collect as we go about our days shape our narratives and influence our creativity, highlighting the interconnectedness of life and art.
In practice
In a writing workshop, discussing how daily experiences influence one's writing style.
Insecurity twists meanings and poisons trust. In a closely beleaguered city every sentry is a potential traitor.
It seemed to Scobie that life was immeasurably long. Couldn’t the test of man have been carried out in fewer years? Couldn’t we have committed our first major sin at seven, have ruined ourselves for love or hate at ten, have clutched at redemption on a fifteen-year-old deathbed?
God is love. I don't say the heart doesn't feel a taste of it, but what a taste. The smallest glass of love mixed with a pint pot of ditch-water. We wouldn't recognize that love. It might even look like hate. It would be enough to scare us - God's love.
Of two hearts one is always warm and one is always cold: the cold heart is more precious than diamonds: the warm heart has no value and is thrown away.
Writing is a form of therapy; sometimes I wonder how all those who do not write, compose or paint can manage to escape the madness, melancholia, the panic and fear which is inherent in a human situation.
Champagne, if you are seeking the truth, is better than a lie detector. It encourages a man to be expansive, even reckless, while lie detectors are only a challenge to tell lies successfully.
I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
When asked how she knows when her writing is where she wants it to be: "I know when it's the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it's the best I can do. I know that one of the great arts that the writer develops is the art of saying, 'No. No, I'm finished. Bye.' And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won't do that."
Certainly there is, for the American Negro artist who can escape the restrictions the more advanced among his own group would put upon him, a great field of unused material ready for his art.
I thought Star Wars was too wacky for the general public.
I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.
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