I am a member of the Muskogee people. I'm a poet, a musician, a dreamer of sorts, a questioner. Like everyone else, I'm looking for answers of some sort or the other.
Joy HarjoRead
There is no poetry where there are no mistakes.
Interpretation
Mistakes are an essential part of creativity and expression in poetry.
This quote by Joy Harjo emphasizes that the process of creating poetry is inherently flawed and imperfect. It suggests that mistakes and imperfections contribute to the beauty and authenticity of artistic expression, implying that true creativity requires vulnerability and the acceptance of errors.
In practice
A teacher discussing the creative writing process with their students might use this quote to encourage them to embrace their errors.
I am a member of the Muskogee people. I'm a poet, a musician, a dreamer of sorts, a questioner. Like everyone else, I'm looking for answers of some sort or the other.
It's important as a writer to do my art well and do it in a way that is powerful and beautiful and meaningful, so that my work regenerates the people, certainly Indian people, and the earth and the sun. And in that way we all continue forever.
A story matrix connects all of us._x000D_ There are rules, processes, and circles of responsibility in this world. And the story begins exactly where it is supposed to begin. We cannot skip any part.
You just go where poetry is, whether it's in your heart or your mind or in books or in places where there's live poetry or recordings.
Bottom line, I have to follow what my soul says, or my spirit. And my spirit said that poetry and the arts should be without borders, should be without political borders.
I don't like this romanticization of Indian people in which Indian people are looked at as spiritual saviors, as people who have always taken care of the land. We're human beings. But I think different cultures have developed different aspects of humanness.
I let my music take me where my heart wants to go.
Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.
This is where you see the truth of entertainment, because it is not edited. You see it on stage as it is happening. Even if we fall down or forget our words, it's a part of live entertainment.
Stop trying to treat music like it's a tennis shoe, something to be branded. If the music industry wants to save money, they should take a look at some of their six-figure executive expense accounts. All those lawsuits can't be cheap, either.
I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful.
I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
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