As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
So musical a discord, such sweet thunder.
Interpretation
The quote suggests that there can be beauty and harmony found even within chaos or conflict.
In this quote, Shakespeare uses the juxtaposition of 'discord' and 'sweet thunder' to convey a profound idea that not all disagreements or dissonance are negative. It suggests that within the clash of opposing forces or ideas, there can be a form of beauty, growth, or creativity, akin to music that transforms chaos into something harmonious and meaningful.
In practice
In a discussion about artistic expression, one might say, 'As Shakespeare said, 'So musical a discord, such sweet thunder,β highlighting the beauty found in creative differences.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. It's my favorite city.
In the earliest ages science was poetry, as in the later poetry has become science.
The hardest thing for - not only an artist but for anybody to do is look themselves in the mirror and acknowledge, you know, their own flaws and fears and imperfections and put them out there in the open for people to relate to it.
There were some advantages to being a woman photographer. I think women have more empathy with the subject.
You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
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