I try never to wear my own clothes, I pretend I'm someone else
Interpretation
The quote reflects a desire for self-expression through alternative identities rather than one's own.
David Byrne's quote emphasizes the idea of artistic expression and the exploration of identity. By choosing not to wear his own clothes, he suggests that he prefers to adopt different personas, using clothing as a medium to convey various aspects of himself or to escape from his personal identity. This not only highlights the transformative power of fashion but also invites a broader discussion about authenticity, perception, and the roles we play in society.
In practice
This quote could be used in a fashion design workshop to inspire creativity.
Forces that you might think are utterly unrelated to creativity can have a big impact. Technology, obviously, but environment, too. Even financial structures can affect the actual content of a song. The making of music is profoundly affected by the market.
When things get so absurd and so stupid and so ridiculous that you just can't bear it, you cannot help but turn everything into a joke.
I certainly agree that putting everything into little genres is counterproductive. You're not going to get too many surprises if you only focus on the stuff that fits inside the box that you know.
You create a community with music, not just at concerts but by talking about it with your friends.
Real sadness is such an all-encompassing intense thing that it takes you out of your humdrum existence. If you can still function, you want to show it while it's peaking. So when people tell you to cheer up, it's not always the best thing.
I find rebellion packaged by a major corporation a little hard to take seriously.
Speed is scarcely the noblest virtue of graphic composition, but it has its curious rewards. There is a sense of getting somewhere fast, which satisfies a native American urge.
I have a strong sense that every project is an invention, which is not a word I hear being used in architecture courses.
The biggest thrill you can have is to tell people one of your songs, and have them be able to hum it.
In one dancing saloon I saw the only rational method of art criticism I have ever come across. Over the piano was printed a notice: 'Please do not shoot the pianist. He is doing his best.'
When I was in Cambridge reading mathematics, I went to Amsterdam for the International Mathematics Congress. There I saw M.C. Escher's fascinating work. That inspired me to try my hand at drawing such impossibilities.
A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
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