To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
Joan DidionRead
I never had much interest in being a child. As a way of being it seemed flat, failed to engage.
Interpretation
This quote reflects a lack of enthusiasm for childhood and its perceived limitations.
Joan Didion expresses a sentiment that childhood, as she experienced it, felt uninteresting and unsatisfying. She suggests that the typical experiences of being a child were not engaging or fulfilling for her, indicating a preference for deeper, more meaningful experiences that often come with adulthood.
In practice
In a discussion about the responsibilities and joys of adulthood, this quote could illustrate the contrast with childhood.
To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
The truth is, it's easier for me to write than talk... to express the state I'm in at any time.
Memories are what you no longer want to remember.
It was clear, for example, in 1988 that the political process had already become perilously remote from the electorate it was meant to represent.
I mean maybe I was holding all the aces, but what was the game?
Do not whine... Do not complain. Work harder. Spend more time alone.
If our free society is to endure, those who govern must recognize human dignity and accept the enforcement of constitutional limitations on their power conceived by the Framers . . . . Such recognition will not come from a technical understanding of the organs of government, or the new forms of wealth they administer. It requires something different, something deeper-a personal confrontation with the wellsprings of our society.
So much of the language that surrounds us - from things like economics, management theory, and the algorithms built into computer systems - appears to be objective and neutral. But in fact, it is loaded with powerful, and very debatable, political assumptions about how society should work and what human beings are really like.
We raise our voices in holy gladness to celebrate the victory of the risen Christ over the terrible forces of death.
And then I felt sad because I realized that once people are broken in certain ways, they can't ever be fixed, and this is something nobody ever tells you when you are young and it never fails to surprise you as you grow older as you see the people in your life break one by one. You wonder when your turn is going to be, or if it's already happened.
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
I want to feel my own nothingness, I want to give myself up in absolute resignation to God, to lie prostrate and passive at His feet, with no other disposition in my heart than that of merging my will into His will, and no other language in my mouth than that of prayer for the perfecting of His strength in my weakness.
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