I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.
Ken LiuRead
The novel that an author writes is often not the novel that the reader reads, and most of the 'messages' in a novel are put there by the reader. There's nothing wrong with that, of course. That's how literature functions.
Interpretation
A novel's interpretation varies between the author and the reader, emphasizing the reader's role in deriving meaning.
This quote by Ken Liu highlights the subjective nature of literature, suggesting that a reader's experience and interpretation of a novel can differ significantly from the author's original intent. It acknowledges that each reader brings their own perspectives, emotions, and contexts to a story, contributing to a unique understanding of its messages, which may or may not align with what the author intended to convey.
In practice
In a book club discussion, one might say, 'As Liu points out, the meanings we find in our readings are often uniquely our own.'
I get to use fiction as a way to work out my thinking and to delight readers in the process. I can't think of any deal that's better for me, and I'm always so grateful that readers have indulged me as I argue with myself in my stories.
As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.
In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language.
There are so many different narrative traditions across the world, and each of those traditions has evolved dramatically over time. Once I understood that, I felt truly free; I could write and invent the way I wanted to because there never has been only one way to tell a good story.
The truth is not delicate and it does not suffer from denial—the truth only dies when true stories are untold.
Labels like 'Chinese Science Fiction' or 'Western Science Fiction' summarize a vast field of work, all of which are diverse and driven by individual authors, with individual concerns.
My books never go where I think they're going.
It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.'
There rise authors now and then, who seem proof against the mutability of language, because they have rooted themselves in the unchanging principles of human nature.
One does not argue about The Wind in the Willows.
I am a firm believer that a good plot makes for a fun enough read, but it's not what binds us. If we don't care about the characters, we won't care - not in a lasting way - about what's happening to them.
I loathe people who say, 'I always read the ending of the book first.' That really irritates me, It's like someone coming to dinner, just opening the fridge and eating pudding, while you're standing there still working on the starter. It's not on.
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