Ma's still nodding. "You're the one who matters, though. Just you." I shake my head till it's wobbling because there's no just me.
Emma DonoghueRead
I love it when novels contain a broad cast of characters, including queer ones.
Interpretation
The quote expresses appreciation for literary works that include diverse characters, especially those from the queer community.
Emma Donoghue's quote highlights the importance of representation in literature, emphasizing that novels benefit from a wide array of characters, particularly those from the queer community. This inclusivity not only enriches the narrative but also reflects the diversity of real life, offering readers a chance to engage with different perspectives and experiences.
In practice
In a discussion about the importance of representation in media.
Ma's still nodding. "You're the one who matters, though. Just you." I shake my head till it's wobbling because there's no just me.
Ah yes, the paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.
At the door, there was one of those moment when two people realize that they like each other more than they know each other. This is nicer than the opposite situation, but more awkward. You try to remember the protocol for touching. You hate to gush, or presume to much, yet you are unwilling to let the moment pass without without some gesture
You cannot predict literary success; the only way you can possibly aim for it is to do your thing and do it well.
Books are the air I breathe, so I don't notice the seasons.
Writing stories is my way of scratching that itch: my escape from the claustrophobia of individuality. It lets me, at least for a while, live more than one life, walk more than one path. Reading, of course, can do the same.
When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.
Books and marriage go ill together.
The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of one's family and friends; and lastly, the solid cash.
It is with noble sentiments that bad literature gets written.
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