I never wanted to be a painter; I wanted to be a tap dancer.
Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one’s end….Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past.
Interpretation
What this quote means
Novel writing is influenced by both past experiences and current emotions, altering the original intentions of the writer.
In this quote, J. L. Carr reflects on the complex process of novel writing, where memories and current realities intertwine. He suggests that as a writer engages with their past to create a narrative, the present circumstances inevitably seep into the storytelling, transforming the tone and focus of the work in unexpected ways. This highlights the dynamic nature of creativity, where personal experiences shape and reshape the art being produced.
Themes
In practice
Example use cases
During a writers' workshop, this quote can be mentioned to discuss the emotional journey of writing a novel.
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As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.
As authors evolve and try to trace the precedents that have shaped their work, it sometimes becomes a matter of identifying the shadowy figure in the back row of the mental photograph, or of grabbing at the tail of a memory that's just slipping out the window into thin air.
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