My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
Occasionally, in the middle of a conversation her name would be mentioned, and she would run down the steps of a chance sentence, without turning her head.
Interpretation
The quote reflects a moment of emotional response tied to someone's name, highlighting the power of love and memory.
In this quote, Nabokov beautifully illustrates how the mere mention of someone's name can evoke strong feelings of nostalgia and connection. The act of running down the steps symbolizes an instinctive reaction to an intimate or cherished relationship, where the presence of that person lingers in the memory, prompting a visceral response even in casual conversation.
In practice
This quote could be used in a speech about the enduring power of love and memory.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Die for adultery! No: The wren goes to't, and the small gilded fly does lecher in my sight
Balance is not letting anyone love you less than you love yourself.
Come away, come away, death,_x000D_ _x000D_ And in sad cypres let me be laid;_x000D_ _x000D_ Fly away, fly away, breath;_x000D_ _x000D_ I am slain by a fair cruel maid.
She, though in full-blown flower of glorious beauty, Grows cold even in the summer of her age.
In this sense love is of a different order to any other phenomenon, for it may be both an event and a sign of that invisible mechanism I spoke of before; perhaps the finest sign, the most certain. In itβs throes we need neither luck nor science. We are the wheel, and the man who profits by it. We are the star, and the darkness it pierces. We are the butterfly, brief and beautiful.
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