If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Stephen HoughRead
Few occupations pass the solitary hours more fruitfully than the playing of a musical instrument.
Interpretation
Playing a musical instrument can be a deeply productive and fulfilling solitary activity.
This quote suggests that few activities can be as rewarding during solitary moments as playing a musical instrument. It highlights the idea that music brings not only joy but also a sense of achievement and personal growth when practiced alone, making the act of playing an instrument a valuable use of time.
In practice
In a speech on the benefits of art in education, I might quote this to emphasize the value of music.
If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
Life is an incurable disease leading to death, but it's also an unrequested gift, which, if we can manage to keep giving it away to others, can keep giving back everything to us.
All things of beauty can speak to us of God, and I'm very happy to listen to and be inspired by people of every religious background.
Live in the present moment. The past and future are nonexistent. Only the present can be grasped or, better, embraced.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
I write plays and poetry at the same time, and I'm always refining, but I'm not obsessive about it. It's what I like to do, what I've always wanted to do.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
The root of any film project for me is this inner need to express something. What nurtures this root and makes it grow into a tree is the script. What makes the tree bear flowers and fruit is the directing.
If anyone gets in my way when I'm making a picture, I become irrational. I'm never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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