In advertising, not to be different is virtually suicidal.
William BernbachRead
Let us prove to the world that good taste, good art, and good writing can be good selling.
Interpretation
This quote emphasizes that quality in art and writing can also lead to commercial success.
William Bernbach's quote reflects the belief that creativity and excellence in art, taste, and writing are not mutually exclusive with business success. It suggests that one can achieve profitability while maintaining high standards of quality, demonstrating that consumers appreciate and will pay for well-crafted, thoughtful work.
In practice
This quote can inspire artists at a gallery opening to pursue commercial opportunities without sacrificing their creative integrity.
In advertising, not to be different is virtually suicidal.
Don't confuse good taste with the absence of taste.
You cannot sell a man who isn't listening; word of mouth is the best medium of all; and dullness won't sell your product, but neither will irrelevant brilliance.
Properly practiced creativity must result in greater sales more economically achieved. Properly practiced creativity can lift your claims out of the swamp of sameness and make them accepted, believed, persuasive, urgent.
In this very real world, good doesn't drive out evil. Evil doesn't drive out good. But the energetic displaces the passive.
You can say the right thing about a product and nobody will listen. Youβve got to say it in such a way that people will feel it in their gut. Because if they donβt feel it, nothing will happen.
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
For the film maker must come by his convention, as painters and writers and musicians have done before him.
I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
The characters I've played, especially Bret Maverick and Jim Rockford, almost never use a gun, and they always try to use their wits instead of their fists.
I never have an intended audience. I just write, you know.
I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play-but rather the most accurate possible statement of the problem.
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