Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Stephen KingRead
Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses.
Interpretation
This quote criticizes the reliance on outlines in creative writing, suggesting true artistry comes from spontaneity.
Stephen King expresses a strong sentiment against the mechanical use of outlines in fiction writing. He implies that good fiction should stem from creativity and intuition, rather than rigid structures typical of academic writing, suggesting that over-organization can stifle artistic expression and authenticity.
In practice
In a writing workshop, encouraging participants to embrace creativity over outlines.
Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.
Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.
Description begins in the writer’s imagination, but should finish in the reader’s.
That's the day's business. Thinking. Thinking and isolation, because it doesn't matter if you pass the time of day with someone or not; in the end, you're alone. He seemed to have put in as many miles in his brain as he had with his feet. The thoughts kept coming and there was no way to deny them.
Late last night and the night before, tommyknockers, tommyknockers knocking on my door. I wanna go out, don't know if I can 'cuz I'm so afraid of the tommyknocker man.
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists.
Your writing", she said to me, "it's so raw. It's like a sledgehammer, and yet it has humor and tenderness. . . .
All of a sudden there's a song - there in your hotel room playing your guitar - and you write it, and two or three years later it will come true. It keeps you on your toes.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
I think all creative people are operating from the fear that, of the best of what they did, will anybody remember it? Will anybody tell stories about them? Will anybody keep those pictures on the mantle long after they are gone? It's why people write stories. It's peoples' grave markers.
This is the role of writers: to turn their tears into a story - and perhaps into a prayer.
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