Often I listen to songs on repeat for days and days at a time. There's something hypnotic or meditative, and it mirrors the way that I am putting the sentence together, going back over the same phrases again and again.
Interpretation
Repetition in music can be a meditative process that reflects our own thought patterns.
Eleanor Catton's quote expresses the deep connection between music and the creative process, highlighting how the repetitive nature of listening to songs can evoke a meditative state. This mirroring effect emphasizes the importance of revisiting ideas and phrases in both music and writing, suggesting that creativity often involves a cycle of reflection and refinement.
In practice
During a workshop on songwriting, you might say this quote to illustrate the importance of repeatedly refining lyrics.
My sense of injustice about our family's 'weirdness' in not owning a car was amplified by the fact that we did not own a television, either - my parents were unapologetic about this and told me very cheerfully that I would thank them for it when I was older, which was quite true.
For although a man is judged by his actions, by what he has said and done, a man judges himself by what he is willing to do, by what he might have said, or might have done—a judgment that is necessarily hampered, not only by the scope and limits of his imagination, but by the ever-changing measure of his doubt and self-esteem.
Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one.
The ability of humans to read meaning into patterns is the most defining characteristic we have.
It is a mark of the depth of their wounding that they are pretending they suspected it all along. Everything that they have seen and been told about love so far has been an inside perspective, and they are not prepared for the crashing weight of this exclusion. It dawns on them now how much they never saw and how little they were wanted, and with this dawning comes a painful re-imagining of the self as peripheral, uninvited, and utterly minor.
I see disappointment as something small and aggregate rather than something unified or great. With a little effort, every failure can be turned into something good.
I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it.
I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation.
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
Art is the highest task and the proper metaphysical activity of this life.
I was born with music inside me. That's the only explanation I know of
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