In the old days... it was a basic, cardinal fact that producers didn't have opinions. When I was producing natural history programmes, I didn't use them as vehicles for my own opinion. They were factual programmes.
Interpretation
Producers in the past prioritized factual storytelling over personal opinions in their work.
David Attenborough reflects on the traditional role of producers in media, emphasizing that in the past, they focused on presenting objective facts rather than injecting their personal opinions into the narrative. This approach ensured that natural history programs served as informative resources, allowing the audience to learn about the world without the bias of the producer's views. Attenborough's statement highlights the importance of factual integrity in documentary production and the respect for the audience's ability to form their own opinions based on presented facts.
In practice
In a documentary film festival, this quote can remind filmmakers to maintain objectivity in their storytelling.
I don't think we are going to become extinct. We're very clever and extremely resourceful - and we will find ways of preserving ourselves, of that I'm sure. But whether our lives will be as rich as they are now is another question.
I'm against this huge globalisation on the basis of economic advantage.
I would be absolutely astounded if population growth and industrialisation and all the stuff we are pumping into the atmosphere hadn't changed the climatic balance. Of course it has. There is no valid argument for denial.
There's a small worm called Loa Loa Filariasis. This parasite can survive in one environment exclusively- namely, underneath the skin and inside the eyes of human beings. Children and the elderly in tropical regions (usually the poorest) are the most widely affected. A painful, slow death is virtually certain. The worm can actually live in the host for 17 years before the host finally dies.
The fundamental issue is the moral issue.
It is vital that there is a narrator figure whom people believe. That's why I never do commercials. If I started saying that margarine was the same as motherhood, people would think I was a liar.
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.
It is important for young entrepreneurs to be adequately self-aware to know what they do not know.
The students that, like the wild animal being prepared for its tricks in the circus called 'life', expects only training as sketched above, will be severely disappointed: by his standards he will learn next to nothing.
Wherever they went the Irish brought with them their books, many unseen in Europe for centuries and tied to their waists as signs of triumph, just as Irish heroes had once tied to their waists their enemies' heads. Where they went they brought their love of learning and their skills in bookmaking. In the bays and valleys of their exile, they reestablished literacy and breathed new life into the exhausted literary culture of Europe. And that is how the Irish saved civilization.
The real safeguard of democracy is education.
When schools flourish, all flourishes.
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