Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
One always tends to overpraise a long book, because one has got through it.
Interpretation
Long books often receive more praise simply because readers feel accomplished for finishing them.
E. M. Forster's quote highlights a common phenomenon in literary critique where the length of a book can skew a reader's perception of its quality. When a reader invests significant time and effort into reading a lengthy work, they may be inclined to praise it more than it may objectively deserve, simply due to their sense of achievement in finishing it. This reflects how personal experience can affect judgment and appreciation in literature.
In practice
This quote can be used in a book club discussion to encourage critical thinking about the books we read.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.
Literature is my Utopia. Here I am not disenfranchised. No barrier of the senses shuts me out from the sweet, gracious discourse of my book friends. They talk to me without embarrassment or awkwardness.
If literature does one thing, it makes you more empathetic by making you live other lives and feel the pain of others. Ideologues don't feel the pain of others because they haven't imaginatively got under their skins.
The way to read a fairy tale is to throw yourself in.
When we're done with it, we may find—if it's a good novel—that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before.
It's difficult to tell the truth about how a book begins. The truth, as far as it can be presented to other people, is either wholly banal or too intimate.
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