Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
E. M. ForsterRead
One always tends to overpraise a long book, because one has got through it.
Interpretation
Long books often receive more praise simply because readers feel accomplished for finishing them.
E. M. Forster's quote highlights a common phenomenon in literary critique where the length of a book can skew a reader's perception of its quality. When a reader invests significant time and effort into reading a lengthy work, they may be inclined to praise it more than it may objectively deserve, simply due to their sense of achievement in finishing it. This reflects how personal experience can affect judgment and appreciation in literature.
In practice
This quote can be used in a book club discussion to encourage critical thinking about the books we read.
Personal relations are the important thing for ever and ever, and not this outer life of telegrams and anger.
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
One must be fond of people and trust them if one is not to make a mess of life.
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
One person with passion is better than forty people merely interested.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Itβs a small story really, about, among other things: * A girl * Some words * An accordionist * Some fanatical Germans * A Jewish fist fighter * And quite a lot of thievery
It is not the voice that commands the story: it is the ear.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written β heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
One was a book thief. The other stole the sky.
Certainly 'The Judgment of Paris' was the novel in which I found my own voice.
Subscribe for the occasional hand-picked quote. No noise.