Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael OndaatjeRead
She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.
Interpretation
The quote expresses the deep appreciation for words and their power to provide clarity and understanding in life.
In this quote by Michael Ondaatje, the speaker reflects on a person's lifelong affection for words, highlighting how they have been a source of clarity and structure for her. Words are portrayed as essential tools that not only convey meaning but also shape one's perception of the world, illustrating the profound impact language has on an individual's thoughts and experiences.
In practice
In a speech about the importance of storytelling, this quote can emphasize the impact of words in shaping narratives.
Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
Water is the exile, carried back in cans and flasks, the ghost between your hands and your mouth.
You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else.
A man in a desert can hold absence in his cupped hands, knowing it is something that feeds him more than water.
The short story is still like the novel's wayward younger brother, we know that it's not respectable - but I think that can also add to the glory of it.
At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index.
Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
Browse Amazon reviews, and you'll see a surprising number of readers who believe one novel can summarize a country, its culture, and its people.
The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.
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