An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
One must pass through the network of influence. One is obligated to be influenced, and one accepts this influence very naturally. From the start, one doesn't realize this. The first thing to know: one doesn't realize one is influenced. One thinks he is already liberated, and one is far from it!
Interpretation
The quote highlights how individuals are often unaware of the influences shaping their thoughts and actions.
Marcel Duchamp speaks to the idea that we are all embedded in a web of influences that shape our perceptions and choices, often without our conscious awareness. This lack of realization leads many to believe they are free thinkers, when in truth, they are influenced by societal and external factors from the very beginning of their journey.
In practice
During a discussion on personal growth, one might say this quote to emphasize the importance of recognizing external influences in our lives.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Can man, the finite and sinful one, cooperate with God, the Infinite and Holy One? Yes, he can, precisely because God Himself has become man, become body, and here (in the liturgy), again and again, he comes through his body to us who live in the body.
The hoop dancer dances within what encircles him, demonstrating how the people live in motion within the circling spirals of time and space. They are no more limited than water and sky. At green corn dance time, water and sky come together, in Indian time, to make rain.
Counting is the religion of this generation it is its hope and its salvation.
We need not be theologians to see that we have shifted responsibility for making the world interesting from God to the newspaperman.
Well, I believe life is a Zen koan, that is, an unsolvable riddle. But the contemplation of that riddle - even though it cannot be solved - is, in itself, transformative. And if the contemplation is of high enough quality, you can merge with the divine.
The true end of tragedy is to purify the passions.
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