Music is a higher revelation than all wisdom and philosophy. Music is the electrical soil in which the spirit lives, thinks and invents.
Ludwig Van BeethovenRead
One must not hold one's self so divine as to be unwilling occasionally to make improvements in one's creations.
Interpretation
The quote emphasizes the importance of humility and the willingness to improve one's work.
Beethoven suggests that even the greatest creators should not view themselves as infallible. Accepting feedback and striving for improvement are essential for personal and artistic growth, highlighting the necessity of adaptability in the creative process.
In practice
This quote could be used in a presentation about the creative process in art and music.
Music is a higher revelation than all wisdom and philosophy. Music is the electrical soil in which the spirit lives, thinks and invents.
I alter some things, eliminate and try again until I am satisfied. Then begins the mental working out of this material in its breadth, its narrowness, its height and depth.
Often, I can scarcely hear any one speaking to me; the tones yes, but not the actual words; yet as soon as any one shouts, it is unbearable. What will come of all this, heaven only knows!
Music is the wine which inspires one to new generative processes, and I am Bacchus who presses out this glorious wine for mankind and makes them spiritually drunken.
I carry my thoughts about me for a long time, often a very long time, before I write them down; meanwhile my memory is so faithful that I am sure never to forget, not even in years, a theme that has once occurred to me.
Recommend virtue to your children; it alone, not money, can make them happy. I speak from experience.
If poetry should address itself to the same needs and aspirations, the same hopes and fears, to which the Bible addresses itself, it might rival it in distribution.
I didn't want to write for pay. I wanted to be paid for what I write.
The Photograph is an extended, loaded evidence β as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.
I didn't begin my life in 1975 with 'Horses.' I recorded 'Horses' in 1975, but was drawing in Paris in 1969.
I immersed myself in books and rock 'n' roll, the adolescent salvation.
And I want to rise up, throw my arms open for a vast embrace, address an ample, luminous discourse to the invisible crowds. I would start like this: "O rainbow-colored gods. . .
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