I didn't want to write for pay. I wanted to be paid for what I write.
Interpretation
The quote expresses the desire for creative work to be valued and compensated based on its merit rather than purely for profit.
Leonard Cohen's quote reflects the sentiment that an artist seeks recognition and financial reward for their creative output, emphasizing the importance of authenticity and integrity in artistic endeavors. It highlights a distinction between writing simply for monetary gain and producing work that is genuinely valued for its quality and artistic expression.
In practice
During a writers' workshop, emphasizing the value of authentic work over commercial pressures.
What is most original in a man's nature is often that which is most desperate. Thus new systems are forced on the world by men who simply cannot bear the pain of living with what is. Creators care nothing for their systems except that they be unique. If Hitler had been born in Nazi Germany he wouldn't have been content to enjoy the atmosphere.
I always thought that poetry is the verdict that others give to a certain kind of writing. So to call yourself a poet is a kind of dangerous description. It's for others; it's for others to use.
Be With Me In The Phases Of My Work Because My Brain Feels Like It Has Been Whipped And I Yearn To Make A Small Perfect Thing Which Will Live In Your Morning Like Curious Static Through A President's Elegy Or A Nude Hunchback Acquiring A Tan On The Crowded Oily Beach.
I heard of a man who says words so beautifully that if he only speaks their name women give themselves to him. If I am dumb beside your body while silence blossoms like tumors on our lips it is because I hear a man climb stairs and clear his throat outside our door.
I think what we like about music - and what we like about art in general....is that enterprise that stops our minds from spinning. Because we're always all over the place. A good song, a good lyric is a movie: it will just focus and calm and confer significance on this completely bewildering reality that all of us live in.
Most of the time one is discouraged by the work, but now and again by some grace something stands out and invites you to work on it, to elaborate it or animate it in some way. It's a mysterious process.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
A story is a living thing, it moves and shifts.
I often conduct an orchestra in my sleep; my orchestras are so huge that the back desks of the violas vanish into the horizon. And everything is so wonderful.
[When accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
When you begin a picture you often make some pretty discoveries. You must be on guard against these. Destroy the thing, do it over several times. In each destroying of a beautiful discovery, the artist does not really suppress it, but rather condenses it, makes it more substantial. What comes out in the end is the result of discarded finds. Otherwise you become your own connoisseur.
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