Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
I want paint to work as flesh.
Interpretation
The quote expresses the desire for paint to embody the quality and realism of flesh.
Lucian Freud, a prominent painter known for his intense and realistic portraits, emphasizes in this quote the importance of achieving a lifelike representation in his artwork. By wanting paint to work as flesh, he conveys his aspiration to create art that captures the essence and texture of human skin, suggesting a deep connection between the medium and the subject's humanity.
In practice
This quote can be used during an art lecture to discuss the importance of realism in painting.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
Next to the Word of God, music deserves the highest praise.
To play the trumpet, you must train your lips for a long time. When I was twelve or thirteen I was a good player, but I lost the skill and now I play very badly. I do it every day even so. The reason is that I want to return to my childhood. For me, the trumpet is evidence of the sort of young man I was.
I never like to think that I design for a particular person. I design for the woman I wanted to be, the woman I used to be, and - to some degree - the woman I'm still a little piece of.
I kept thinking there's bound to be something else? I could hear it sometimes, but I couldn't play it.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
Good writing ... involves the agony of turning profoundly difficult thoughts into lucid form, then forcing them into the tight-fitting uniform of language, making them visible and clear.
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