Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
Lucian FreudRead
I want paint to work as flesh.
Interpretation
The quote expresses the desire for paint to embody the quality and realism of flesh.
Lucian Freud, a prominent painter known for his intense and realistic portraits, emphasizes in this quote the importance of achieving a lifelike representation in his artwork. By wanting paint to work as flesh, he conveys his aspiration to create art that captures the essence and texture of human skin, suggesting a deep connection between the medium and the subject's humanity.
In practice
This quote can be used during an art lecture to discuss the importance of realism in painting.
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.
The character of the artist doesn't enter into the nature of the art
I paint people, not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
I could never put anything into a picture that wasn't actually there in front of me. That would be a pointless lie, a mere bit of artfulness.
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Write your own songs. It helps you to mean what you're singing, which will then make it mean something to listeners.
It is not art in the professionalized sense about which I care, but that which is created sacredly, as a result of a deep inner experience, with all of oneself, and that becomes 'art' in time.
The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
My raps are a decision, rabble rousing, spiritual, like gospel music. I don't want to dance. We have so many things to deal with, we need to talk straight up and down.
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