The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
John BergerRead
The past grows gradually around one, like a placenta for dying.
Interpretation
The past envelops us as we approach death, much like a protective layer created during childbirth.
John Berger's quote suggests that as we nearing the end of our lives, our past experiences and memories accumulate and surround us, creating a sense of comfort and familiarity, similar to how a placenta nurtures and supports a developing fetus. This metaphor highlights the relationship between life, death, and the integral role that our history plays in shaping our final moments.
In practice
During a eulogy, one might refer to this quote to illustrate the importance of memories at the end of life.
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
We never look at just one thing; we are always looking at the relation between things and ourselves.
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
Being a unique superpower undermines the military intelligence of strategy. To think strategically, one has to imagine oneself in the enemy's place. If one cannot do this, it is impossible to foresee, to take by surprise, to outflank. Misinterpreting an enemy can lead to defeat. This is how empires fall.
Complexes are psychic contents which are outside the control of the conscious mind. They have been split off from consciousness and lead a separate existence in the unconscious, being at all times ready to hinder or to reinforce the conscious intentions.
Persons of genius are, ex vi termini, more individual than any other people - less capable, consequently, of fitting themselves, without hurtful compression, into any of the small number of moulds which society provides in order to save its members the trouble of forming their character.
For this is the truth about our soul, he thought, who fish-like inhabits deep seas and plies among obscurities threading her way between the boles of giant weeds, over sun-flickered spaces and on and on into gloom, cold, deep, inscrutable; suddenly she shoots to the surface and sports on the wind-wrinkled waves; that is, has a positive need to brush, scrape, kindle herself, gossiping.
What we really are matters more than what other people think of us.
Although sometimes the morbid is also the transcendent, the transcendent cannot be reduced to the morbid.
If it is not totalitarian to arrest a man and detain him, when you cannot charge him with any offence against any written law β if that is not what we have always cried out against in Fascist states β then what is it?β¦ If we are to survive as a free democracy, then we must be prepared, in principle, to concede to our enemies β even those who do not subscribe to our views β as much constitutional rights as you concede yourself.
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