Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
Most people think everybody feels about them much more violently than they actually do; they think other people's opinions of them swing through great arcs of approval or disapproval.
Interpretation
What this quote means
People often overestimate the intensity of others' feelings towards them, believing emotions fluctuate greatly.
F. Scott Fitzgerald's quote suggests that individuals tend to misconstrue how much others care about them. Many people believe that others are preoccupied with their opinions, often swinging between extremes of approval and disapproval, when in reality, others are often more neutral or indifferent. This reflects a common human tendency to be self-centered in our perceptions, imagining that others devote significant emotional energy to our existence and choices.
Themes
In practice
Example use cases
This quote could be used in a self-help seminar to remind participants about the nature of self-perception.
More from F. Scott Fitzgerald
All quotes βThe test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
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