It's absolutely crucial to maintain my life as a poet.
Edward HirschRead
A person who's only suffering can't write a poem. There are choices to be made, and you need to be objective.
Interpretation
Creativity often stems from a balance of experiences, and one must maintain objectivity to create art.
In this quote, Edward Hirsch suggests that true artistic expression requires more than just personal suffering; it requires a critical distance and the ability to make choices that elevate one's work. Poetic creation demands insight gained from various experiences, which includes not just pain but also joy and reflection, allowing the artist to captivate and connect with others through their work.
In practice
In an art workshop, to encourage participants to reflect on their diverse experiences, one might quote Hirsch's words.
It's absolutely crucial to maintain my life as a poet.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
And every year there is a brief, startling moment _x000D_ When we pause in the middle of a long walk home and _x000D_ Suddenly feel something invisible and weightless _x000D_ Touching our shoulders, sweeping down from the air: _x000D_ It is the autumn wind pressing against our bodies; _x000D_ It is the changing light of fall falling on us.
When poetry separates from song, then the words have to carry all the rhythm themselves; they have to do all the work. They can't rely on the singing voice.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically β that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
You know how some people write every day at a certain point? I'm not like that. I carry something around for a long time. I weigh the words and the sentences. I weigh the paragraphs. The process is much more meditative for me.
Music, at its essence, is what gives us memories. And the longer a song has existed in our lives, the more memories we have of it.
My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
The most beautiful thing in the world is a ballpark filled with people.
As in creating some significant work the artist first experiences something akin to dream awareness that becomes clarified in the creative process itself, so we must first have a vision of the future sufficiently entrancing that it will sustain us in the transformation of the human project that is now in process.
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