The sun never knew how great it was until it hit the side of a building.
Louis KahnRead
The person of old had the same brilliance of mind that we assume we have now. But that which made a thing become manifest for the first time is our great moment of creative happening.
Interpretation
This quote emphasizes the timeless nature of human creativity and the significance of moments that lead to new manifestations of ideas.
Louis Kahn reflects on the brilliance of individuals throughout history, suggesting that the insightful minds of the past are comparable to our own. However, he highlights the importance of the moments of creativity that allow new ideas and forms to emerge, suggesting that creativity is not just an intellectual endeavor, but a transformative experience that brings forth new realities.
In practice
In a speech about innovation, one could use this quote to highlight the importance of creativity in bringing new ideas to life.
The sun never knew how great it was until it hit the side of a building.
I sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you
I suppose one of the challenges of writing the word-side of music these days is trying to decipher and communicate how this planet is very overwhelming at this point. The difficulties we face are overwhelming. It's very difficult to give yourself the time to breathe and appreciate the joy and beauty that might be just right around us.
I've gradually realised that what I do best is universes. And I shouldn't be afraid of that.
In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
I have a vast 'bone pile' of stillborn or abandoned poems along with jottings and wisps from the great beyond that I tend to scan. Sometimes that leads somewhere, and sometimes the Muse is just on sabbatical.
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