The sun never knew how great it was until it hit the side of a building.
Louis KahnRead
The person of old had the same brilliance of mind that we assume we have now. But that which made a thing become manifest for the first time is our great moment of creative happening.
Interpretation
This quote emphasizes the timeless nature of human creativity and the significance of moments that lead to new manifestations of ideas.
Louis Kahn reflects on the brilliance of individuals throughout history, suggesting that the insightful minds of the past are comparable to our own. However, he highlights the importance of the moments of creativity that allow new ideas and forms to emerge, suggesting that creativity is not just an intellectual endeavor, but a transformative experience that brings forth new realities.
In practice
In a speech about innovation, one could use this quote to highlight the importance of creativity in bringing new ideas to life.
The sun never knew how great it was until it hit the side of a building.
I sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
I try to create characters people want to sit with, even if nothing is happening.
That's the kind of music I want SoulBird to represent: music with intelligence and heart, music that moves people in their souls and their bodies. Music with wings.
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
Film should be looked at straight on; it is not the art of scholars but of illiterates.
That’s one of the nice things about writing, or any art; if the thing’s real, it just lives. All the attendant hoopla about it, the success over it or the critical rejection—none of that really matters. In the end, the thing will survive or not on its own merits. Not that immortality via art is any big deal. Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it’s not much help to Truffaut.
All the pictures I could never do, I'll do it in comics. All the comics I do are the pictures I could never do.
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