Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
Carol Ann DuffyRead
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
Interpretation
Reading poetry is essential for writing poetry.
Carol Ann Duffy emphasizes the importance of immersing oneself in the work of others to cultivate one's own creativity in poetry. By surrounding herself with poetry in various places, she highlights that constant exposure to poetic forms and styles nurtures the ability to write, suggesting that reading serves as a foundational practice for all writers.
In practice
In a writer's workshop, to emphasize the importance of reading, one might quote Duffy's insight about poetry.
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
Poetry and prayer are very similar.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
I believe that music is connected by human passions and curiosities rather than by marketing strategies.
Sometimes my feelings are so hot that I have to take the pen and put them out on paper to keep them from setting me afire inside; then all that ink and labor are wasted because I can't print the results
I've been forty years discovering that the queen of all colors is black.
Drawing is not the same as form, it is a way of seeing form.
To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.
To make films, it always begins with two words: what and how. First of all, you have to find a story, or what are you going to tell? And you have to find a way to tell it visually.
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