Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
Carol Ann DuffyRead
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
Interpretation
Reading poetry is essential for writing poetry.
Carol Ann Duffy emphasizes the importance of immersing oneself in the work of others to cultivate one's own creativity in poetry. By surrounding herself with poetry in various places, she highlights that constant exposure to poetic forms and styles nurtures the ability to write, suggesting that reading serves as a foundational practice for all writers.
In practice
In a writer's workshop, to emphasize the importance of reading, one might quote Duffy's insight about poetry.
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
Poetry and prayer are very similar.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
I don't try to sanction other people's joy in monsters. I mean, I think the fact is, humor, fantasy - you know, like fear, desire or laughter - create genres of their own: comedy, melodrama, or erotic films or horror films... The boundaries cannot be defined. It's to each his own.
The writer has no responsibility other than to jack off in bed alone and write a good page.
For what is a poem but a hazardous attempt at self-understanding: it is the deepest part of autobiography.
She left the web, she left the loom, She made three paces through the room, She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot. Out flew the web and floated wide; The mirror crack'd from side to side; "The curse is come upon me," cried The Lady of Shalott.
The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.
All that is good in art is the expression of one soul talking to another, and is precious according to the greatness of the soul that utters it.
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