Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
Carol Ann DuffyRead
Poetry and prayer are very similar.
Interpretation
Poetry and prayer share a deep connection through their expressive and emotional qualities.
Carol Ann Duffy suggests that both poetry and prayer serve as vital forms of expression that connect us to our inner selves and to the transcendent. They both convey profound feelings, seek understanding, and offer solace, making them similar in their function as artistic and spiritual endeavors.
In practice
In a speech about the healing power of the arts, one could say, 'As Carol Ann Duffy observed, poetry and prayer are very similar.'
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
For me, I try as much as possible to just think about being in the movie theatre, having the lights dim, and what would I want to see on the screen. That puts me in the frame of mind that made me want to be in the movie business to begin with.
Art when really understood is the province of every human being. It is simply a question of doing things, anything, well. It is not an outside, extra thing.
I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
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