You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Carol Ann DuffyRead
Auden said poetry makes nothing happen. But I wonder if the opposite could be true. It could make something happen.
Interpretation
This quote suggests that poetry, often seen as inert, has the potential to inspire action and change.
Carol Ann Duffy reflects on W.H. Auden's assertion that poetry makes nothing happen, proposing instead that poetry can indeed catalyze significant events or emotions. By challenging the notion of poetry's inactivity, she highlights its power to inspire and provoke thought, suggesting that words can lead to impactful transformations in individuals and society.
In practice
In a literary discussion about the impact of poetry on social movements.
You have me like a drawing, erased, coloured in, untitled, signed by your tongue.
Poetry, above all is a series of intense moments Β its power is not in narrative. I'm not dealing with facts, I'm dealing_x000D_ with emotion.
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
The moment of inspiration can come from memory, or language, or the imagination, or experience - anything that makes an impression forcibly enough for language to form.
Poetry and prayer are very similar.
I still have a feeling that I haven't written the best that I can write. I think all poets must feel this: that there is constantly something new to be discovered in the language. It's like a thrilling encounter, and you can find things.
The hardest song to write is a protest song, a topical song with meaning.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
Things are pretty, graceful, rich, elegant, handsome, but, until they speak to the imagination, not yet beautiful.
A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
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