My future is in my past and my past is my present. I must now make the present my future.
Vladimir HorowitzRead
Played percussively, the piano is a bore. If I go to a concert and someone plays like that I have two choices: go home or go to sleep. The goal is to make the piano sing, sing, sing.
Interpretation
The quote emphasizes the importance of expression and artistry in playing the piano rather than simply executing notes.
In this quote, Horowitz expresses his belief that a piano performance should transcend technical playing, aiming instead for emotional depth and beauty. He finds merely playing percussively to be uninteresting, suggesting that the true artistry lies in making the piano resonate with life and emotion, effectively making it 'sing'.
In practice
During a music class, a teacher might use this quote to encourage students to find their own voice in their piano playing.
My future is in my past and my past is my present. I must now make the present my future.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
The score is not a bible, and I am never afraid to dare. The music is behind those dots.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Always there should be a little mistake here and there - I am for it. The people who don't do mistakes are cold like ice. It takes risk to make a mistake. If you don't take risk, you are boring.
From the moment you are born, you could die. I think as an artist it is important to meditate on that.
Art is not for the cultivated taste. It is to cultivate taste.
The idea is, if I can't heal from my art, then how can you heal?
I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'
It's not a matter of learning lines. It's a matter of getting into the ideas and the will of the person. It's a matter of, 'What does he want to do? What does he want to achieve?'
Piece by piece, I fed my wardrobe to the night wind, and flutteringly, like a loved one’s ashes, the gray scraps were ferried off, to settle here, there, exactly where I would never know, in the dark heart of New York.
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