I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
I write plays and poetry at the same time, and I'm always refining, but I'm not obsessive about it. It's what I like to do, what I've always wanted to do.
Interpretation
The quote reflects a passionate dedication to writing while maintaining a healthy balance and not becoming overly fixated on perfection.
In this quote, Derek Walcott expresses his love for the process of writing both plays and poetry, emphasizing that he engages in constant refinement of his craft. However, he underscores that he does this without becoming obsessively concerned about achieving perfection, highlighting that the creative process is driven by passion and a lifelong aspiration rather than stress or pressure.
In practice
During a writing workshop, one might quote this to encourage others to enjoy their process.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body - both go together, they can't be separated.
We may be coming to a new golden age of instrument making.
There is romance, the genuine glinting stuff, in typewriters, and not merely in their development from clumsy giants into agile dwarfs, but in the history of their manufacture, which is filled with raids, battles, lonely pioneers, great gambles, hope, fear, despair, triumph. If some of our novels could be written by the typewriters instead of on them, how much better they would be.
Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects. But I don't do that anymore. I just want to be off the cuff and honest.
Too much is demanded by the critic, attempted by the poet.
Adornment, what a science! Beauty, what a weapon! Modesty, what elegance!
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