That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
The poet enjoys the incomparable privilege of being able to be himself and others, as he wishes.
Interpretation
The poet has the unique ability to express personal and universal experiences through imagination.
In this quote, Charles Baudelaire highlights the extraordinary freedom that poetry offers the poet, allowing him to transcend his own identity and embody various perspectives and emotions. This ability to express oneself while also portraying the experiences of others is a hallmark of artistic expression, reflecting both individuality and universality in the craft of poetry.
In practice
During a poetry reading, one might use this quote to discuss the duality of the poet's role.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
Asking a working writer what he thinks about critics is like asking a lamp-post what it feels about dogs.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you canβt make anything.
So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.
Oh, I'm impressed with Lorraine Hansberry. She was a genius at whose feet I could sit.
Only since the turn of the century has abstraction again become recognized as an artistic means of representation. It was then that one returned to the recognition of the immense role abstraction plays in the human mind by its power of concentration upon absolute essentials.
That's the thing: There are so many art songs in jazz. It's a much more rich experience for the singer than people think.
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