I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Billy CollinsRead
When I became poet laureate, I was in a slightly uncomfortable position because I think a lot of poetry isn't worth reading.
Interpretation
Billy Collins expresses skepticism about the value of much poetry while reflecting on his role as poet laureate.
In his quote, Billy Collins candidly shares his discomfort in holding the prestigious title of poet laureate, revealing his belief that much of poetry fails to resonate or hold significance for readers. This perspective emphasizes the subjective nature of art and invites deeper reflection on the standards and expectations for poetry and its creators.
In practice
During a poetry workshop, you might quote Collins to spark a discussion about the quality of modern poetry.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
The whole world of publishing is moving to electronic, but when you put a poem on a screen and you increase the type size, the shape of a poem changes.
I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
I seriously doubt I would ever have written the first story had I not been a lawyer. I never dreamed of being a writer. I wrote only after witnessing a trial.
I just admire people like Woody Allen, who every year writes an original screenplay. It's astonishing. I always wished that I could do that.
My father was a painter and he taught art. He once said to me, 'I never knew an Indian child who could not draw.'
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
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