I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
Billy CollinsRead
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
Interpretation
The quote captures a moment of beauty and admiration between two people, highlighting the significance of ordinary actions.
In this quote, Billy Collins uses the imagery of a delicate cello and a man's reverent gaze to depict a profound moment of appreciation and love. The comparison to saints gazing at God suggests that even in mundane tasks, such as lifting an instrument onto a train rack, there can be a sacred beauty that elevates the experience, reminding us of the extraordinary in everyday life.
In practice
During a heartfelt speech about love at a wedding.
I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.
People think of poetry as a school subject... Poetry is very frustrating to students because they don't have a taste for ambiguity, for one thing. That gives them a poetry hangover.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
The whole world of publishing is moving to electronic, but when you put a poem on a screen and you increase the type size, the shape of a poem changes.
If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out. In a poem, the pen is more like a flashlight, a Geiger counter, or one of those metal detectors that people walk around beaches with.
And the idea of just wandering off to a cafe with a notebook and writing and seeing where that takes me for awhile is just bliss.
With me poetry has not been a purpose, but a passion.
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
Specificity is what makes good storytelling, and good storytelling is what makes money, and making money is then what encourages new producers to invest in different stories about Asians.
The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it.
A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.
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