I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Lin-Manuel MirandaRead
I couldn't possibly write 'Next to Normal,' but God, I can weep and watch 'Next to Normal' five times.
Interpretation
What this quote means
The quote expresses deep emotional connection and appreciation for the musical 'Next to Normal,' highlighting the power of art to move us.
Lin-Manuel Miranda conveys his admiration for the musical 'Next to Normal' by acknowledging his inability to write something as impactful while revealing the profound effect it has on him. The quote underscores the role of art in eliciting strong emotions and the recognition of creative works that resonate deeply with audiences.
Themes
ArtEmotionMusicalAdmirationCreativity
In practice
Example use cases
A theater critic might use this quote to describe the impact of a moving performance.
More from Lin-Manuel Miranda
All quotes βYou know what's a great way of tricking people into thinking you're a genius? Write a show about geniuses!
Lin-Manuel MirandaRead
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Lin-Manuel MirandaRead
Anytime you write something, you go through so many phases. You go through the 'I'm a Fraud' phase. You go through the 'I'll Never Finish' phase. And every once in a while you think, 'What if I actually have created what I set out to create, and it's received as such?'
Lin-Manuel MirandaRead
Everything we know about Hamilton, we knew when he was alive, because he told us.
Lin-Manuel MirandaRead
In the best works of fiction, there's no mustache-twirling villain. I try to write shows where even the bad guy's got his reasons.
Lin-Manuel MirandaRead
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I needed my life as a springboard for my fiction. I have to have something solid under my feet when I write. I'm not a fantasist. I bounce up and down on the diving board, and I go into the water of fiction. But I've got to begin in life so I can pump life into it throughout.
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Each character I play has different dimensions. I'm not interested in words that pull them together.
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When you pose for a photograph, it's behind a smile that isn't yours. You are angry and hungry and alive. What I value in you is that intensity. I want to make portraits as intense as people.
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A beautiful dress may look beautiful on a hanger, but that means nothing. It must be seen on the shoulders, with the movement of the arms, the legs, and the waist.
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When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
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