Behind every successful man is a woman, behind her is his wife.
Groucho MarxRead
Practically everybody in New York has half a mind to write a book, and does.
Interpretation
This quote humorously suggests that many people want to write a book, but it also implies that not all such attempts are successful.
Groucho Marx's quote reflects the idea that in a city as vibrant and full of personality as New York, many individuals have aspirations to create literature. However, the phrase also carries a playful critique of the literary ambitions in a bustling environment, insinuating that while many start writing, the actual completion and quality of the work may vary greatly.
In practice
This quote is perfect for a discussion on creative writing workshops.
Behind every successful man is a woman, behind her is his wife.
John you say you met in an elevator. Was the elevator going up at the time, or down? This is very important, for going down in an elevator one always has that sinking feeling and for all I know you may have this confused with love. If you were going up, it is clearly a case of love at first sight.
Firefly: Where is your husband? Mrs. Teasdale: Why, he's dead. Firefly: I'll bet he's just using that as an excuse. Mrs. Teasdale: I was with him to the very end. Firefly: Hmmph. No wonder he passed away. Mrs. Teasdale: I held him in my arms and kissed him. Firefly: Oh I see. Then, it was murder.
Chico: "Here's the book, it's a dollar" Groucho: "Here's a ten, and shoot the change." Chico: "I don't have change I'd have to give you nine more books.
Gentlemen, Chicolini here may talk like an idiot, and look like an idiot, but don't let that fool you: he really is an idiot. I implore you, send him back to his father and brothers, who are waiting for him with open arms in the penitentiary. I suggest that we give him ten years in Leavenworth, or eleven years in Twelveworth.
Die, my dear? Why that's the last thing I'll do!
There is no music more powerful than hip-hop. No other music so purely demands an instant affirmative on such a global scale. When the beat drops, people nod their heads, βyes,β in the same way that they would in conversation with a loved one, a parent, professor, or minister.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
A film that aims low should not be praised for hitting that target.
To be a photographer, one must photograph. No amount of book learning, no checklist of seminars attended, can substitute for the simple act of making pictures.
Creation is in part merely the business of forgoing the great and small distractions.
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