You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
Interpretation
The quote emphasizes writing as a conversation with both past and contemporary literary influences.
Raymond Carver reflects on the nature of writing, suggesting that a writer engages not only with their own thoughts and experiences but also with a community of writersβboth those who have passed away and those still alive. This indicates that writing is deeply rooted in the appreciation of literature and the influence of other authors, which shapes a writer's voice and style.
In practice
In a writing workshop to inspire new authors, one might reference this quote to emphasize the importance of literary influence.
Woke up this morning with a terrific urge to lie in bed all day and read. Fought against it for a minute. Then looked out the window at the rain. And gave over. Put myself entirely in the keep of this rainy morning. Would I live my life over again? Make the same unforgivable mistakes? Yes, given half a chance. Yes.
Fiction shows the external effects of internal conditions. Be aware of the tension between internal and external movement.
I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.
Every great or even every very good writer makes the world over according to his own specifications.
When I'm writing, I write every day. It's lovely when that's happening. One day dovetailing into the next. Sometimes I don't even know what day of the week it is.
It's strange. You never start out life with the intention of becoming a bankrupt or an alcoholic or a cheat and a thief. Or a liar.
I photographed the entire thing in color because to photograph it in black and white would be to keep it as a tragedy. Because there is a tragic element to photographing, in this case not war, but the collapse. It was just destruction.
In an artist's life, death is perhaps not the most difficult thing.
Some people focus more on sonics. Some people focus more on story. I focus on both sonics and story, but music sometimes, just music itself, can turn into more of a maths problem. I guess everything in life is a math problem, but it can be more about an empirical route to getting the symmetry that you want, and this vibe, sonically.
Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else.
Grace can never properly be said to exist without beauty; for it is only in the elegant proportions of beautiful forms that can be found that harmonious variety of line and motion which is the essence and charm of grace.
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